wooing$527207$ - définition. Qu'est-ce que wooing$527207$
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Qu'est-ce (qui) est wooing$527207$ - définition

The Wooing Of Etain; Tochmarc Étainé; The Wooing Of Étain; The Wooing Of Étaín; Tochmarc Étaín; Wooing of Etain; Tochmarc Etaine; The Wooing of Etain; Tochmarc Etain; Wooing of Étaín; Tochmarc Étaine
  • Stephen Reid]] in [[T. W. Rolleston]]'s ''The High Deeds of Finn'' (1910)

Village Wooing         
PLAY
A Village Wooing; Village Wooing, A Comedietta for Two Voices; Village Wooing: A Comedietta for Two Voices
Village Wooing, A Comedietta for Two Voices is a play by George Bernard Shaw, written in 1933 and first performed in 1934. It has only two characters, hence the subtitle "a comedietta for two voices".
Tochmarc Emire         
IRISH LEGEND
Wooing of Emer; Forgall Monach; Forgall Manach; Forgall the Wily; Forgall; The Wooing of Emer
Tochmarc Emire ("The Wooing of Emer") is one of the stories in the Ulster Cycle of Irish mythology and one of the longest when it received its form in the second recension (below). It concerns the efforts of the hero Cú Chulainn to marry Emer, who appears as his wife in other stories of the cycle, and his training in arms under the warrior-woman Scáthach.
The Wonderful Wooing         
1925 FILM BY GEOFFREY H. MALINS
The Wonderful Wooing is a 1926 British silent drama film directed by Geoffrey Malins and starring Marjorie Hume, G. H.

Wikipédia

Tochmarc Étaíne

Tochmarc Étaíne, meaning "The Wooing of Étaín/Éadaoin", is an early text of the Irish Mythological Cycle, and also features characters from the Ulster Cycle and the Cycles of the Kings. It is partially preserved in the manuscript known as the Lebor na hUidre (c. 1106), and completely preserved in the Yellow Book of Lecan (c. 1401), written in language believed to date to the 8th or 9th century. It tells of the lives and loves of Étaín, a beautiful mortal woman of the Ulaid, and her involvement with Aengus and Midir of the Tuatha Dé Danann. It is frequently cited as a possible source text for the Middle English Sir Orfeo. Harvard professor Jeffrey Gantz describes the text as displaying the "poetic sense of law" in Irish legal society.